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277044

thequeenofscream:

beeishappy:

Stephen Colbert salutes UVA’s Class of 2013 Followed by this.

FUCKING THANK YOU.

1159

ikenbot:

Aurora Borealis is an 1865 painting by Frederic Edwin Church of the Aurora Borealis and the arctic expedition of Dr. Isaac Hayes. The painting measures 56 x 83 1/2 in. (142.3 x 212.2 cm) and is now owned by the Smithsonian American Art Museum.
The artist (Frederic Edwin Church) had to convey the experience of watching the aurora without having witnessed it himself.

Returning to this article because I wanted to add how awesome it is to know whenever one of the very authors, photographers, artists, etc. who’s work you post and source on tumblr give you props for promoting their work rather than rage about it and cry about copyright and “theft” like others tend to do.

In this case I would like to return those props and respect to Meghan Ferriter who is an interdisciplinary researcher and anthropologist and the original author of the above Wikipedia article on a 1865 painting by Frederic Edwin Church which is called “Aurora Borealis” and as you can see, is quite stunning. I think I cheese just as much as they do when this happens, it’s a mutual cheesing based on celebrating the sharing of knowledge.

Meghan Ferriter writes:

This is a fascinating example of cultural heritage content held at a museum being linked (literally) in a central and open access knowledge repository, then accessed and shared in a social networking space: overlapping forms of digital communication.

This was a social share of Smithsonian content; by way of an outreach and engagement event that sought to share Smithsonian collections by explaining their context and content through (or on) Wikipedia. Then that content was taken up by a user on a social media network and shared with his followers. Then his followers responded to that content by liking and reblogging and replying to the content. This Smithsonian-housed content was, therefore, literally linked to broader scientific debates via @ikenbot’s page and the Tumblr/social media sharing loop.

Also, as a leader in the science Tumblr section, @ikenbot’s decision to reference the Wikipedia article adds authority or credit to the validity of Wikipedia within that particular community of practice on Tumblr (science-focused bloggers).

Is this a case of “If you build it, they will share…”? Perhaps not, yet this instance is a powerfully persuasive example, even as a one-off. It demonstrates the realities of sourcing and sharing content in digital spaces; furthermore, it is a testament to the ways Smithsonian Institution and Wikipedia content meshes and unfolds across digital space through social and cultural behaviors in digital spaces. Plus, it was quite cool to have my own words cited and sourced as a part of the summarization of the image.

Thank you again Meghan and all other Wikipedia authors who provide worthwhile information for the public to indulge in!

dink-182:

AAAAAAAAAAHHHH AAAAAAAAHHHHHHHHHHH AAAAAAAAAAAAHHHHH

WOAAAOAHH

(Source: i-dig-rock-n-roll-music, via seas0nofthewitch)

(Source: brandfckingnew, via deathxdiamonds)

195862

exhibition-ism:

Al Farrow’s reliquaries are made from weapons, ammunition casings, bullets and tons of other objects to take forms of sites of prayer

240

neurosciencestuff:

Bach to the blues, our emotions match music to colors
Whether we’re listening to Bach or the blues, our brains are wired to make music-color connections depending on how the melodies make us feel, according to new research from the University of California, Berkeley. For instance, Mozart’s jaunty Flute Concerto No. 1 in G major is most often associated with bright yellow and orange, whereas his dour Requiem in D minor is more likely to be linked to dark, bluish gray.
Moreover, people in both the United States and Mexico linked the same pieces of classical orchestral music with the same colors. This suggests that humans share a common emotional palette – when it comes to music and color – that appears to be intuitive and can cross cultural barriers, UC Berkeley researchers said.
“The results were remarkably strong and consistent across individuals and cultures and clearly pointed to the powerful role that emotions play in how the human brain maps from hearing music to seeing colors,” said UC Berkeley vision scientist Stephen Palmer, lead author of a paper published this week in the journal Proceedings of the National Academy of Sciences.
Using a 37-color palette, the UC Berkeley study found that people tend to pair faster-paced music in a major key with lighter, more vivid, yellow colors, whereas slower-paced music in a minor key is more likely to be teamed up with darker, grayer, bluer colors.
“Surprisingly, we can predict with 95 percent accuracy how happy or sad the colors people pick will be based on how happy or sad the music is that they are listening to,” said Palmer, who will present these and related findings at the International Association of Colour conference at the University of Newcastle in the U.K. on July 8. At the conference, a color light show will accompany a performance by the Northern Sinfonia orchestra to demonstrate “the patterns aroused by music and color converging on the neural circuits that register emotion,” he said.
The findings may have implications for creative therapies, advertising and even music player gadgetry. For example, they could be used to create more emotionally engaging electronic music visualizers, computer software that generates animated imagery synchronized to the music being played. Right now, the colors and patterns appear to be randomly generated and do not take emotion into account, researchers said.
They may also provide insight into synesthesia, a neurological condition in which the stimulation of one perceptual pathway, such as hearing music, leads to automatic, involuntary experiences in a different perceptual pathway, such as seeing colors. An example of sound-to-color synesthesia was portrayed in the 2009 movie The Soloist when cellist Nathaniel Ayers experiences a mesmerizing interplay of swirling colors while listening to the Los Angeles symphony. Artists such as Wassily Kandinksky and Paul Klee may have used music-to-color synesthesia in their creative endeavors.
Nearly 100 men and women participated in the UC Berkeley music-color study, of which half resided in the San Francisco Bay Area and the other half in Guadalajara, Mexico. In three experiments, they listened to 18 classical music pieces by composers Johann Sebastian Bach, Wolfgang Amadeus Mozart and Johannes Brahms that varied in tempo (slow, medium, fast) and in major versus minor keys.
In the first experiment, participants were asked to pick five of the 37 colors that best matched the music to which they were listening. The palette consisted of vivid, light, medium, and dark shades of red, orange, yellow, green, yellow-green, green, blue-green, blue, and purple.
Participants consistently picked bright, vivid, warm colors to go with upbeat music and dark, dull, cool colors to match the more tearful or somber pieces. Separately, they rated each piece of music on a scale of happy to sad, strong to weak, lively to dreary and angry to calm.
Two subsequent experiments studying music-to-face and face-to-color associations supported the researchers’ hypothesis that “common emotions are responsible for music-to-color associations,” said Karen Schloss, a postdoctoral researchers at UC Berkeley and co-author of the paper.
For example, the same pattern occurred when participants chose the facial expressions that “went best” with the music selections, Schloss said. Upbeat music in major keys was consistently paired with happy-looking faces while subdued music in minor keys was paired with sad-looking faces. Similarly, happy faces were paired with yellow and other bright colors and angry faces with dark red hues.
Next, Palmer and his research team plan to study participants in Turkey where traditional music employs a wider range of scales than just major and minor. “We know that in Mexico and the U.S. the responses are very similar,” he said. “But we don’t yet know about China or Turkey.”

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24760

theworldjustgotlighter:

They say a picture is worth a thousand words. This one deserves more.

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awkwardsituationist:

98 year old dobri dobrev, a man who lost his hearing in the second world war, walks 10 kilometers from his village in his homemade clothes and leather shoes to the city of sofia, where he spends the day begging for money.

though a well known fixture around several of the city’s chruches, known for his prostrations of thanks to all donors, it was only recently discovered that he has donated every penny he has collected — over 40,000 euros — towards the restoration of decaying bulgarian monasteries and churches and the utility bills of orphanages, living instead off his monthly state pension of 80 euros.

(via zkarl)

1440

thescienceofreality:

This Week in Science - May 13 - 19, 2013:
Magnetar at black hole here.
Cloned human stem cells here.
Cell calculators here.
Music matched to color here.
Scientists agreeing on climate change here.
Remote-piloted plane here.
Earth’s core here.
Bright lunar explosion here.
American asteroid sampling here.
Hofstadter butterfly effect here.
Electric shocks aid math skills here.
Printable solar panels here.

963

ineedlovelit:

protected

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nikolawashere:

Stunning crop art has sprung up across rice fields in Japan. But this is no alien creation - the designs have been cleverly planted. Farmers creating the huge displays use no ink or dye. Instead, different colours of rice plants have been precisely and strategically arranged and grown in the paddy fields.As summer progresses and the plants shoot up, the detailed artwork begins to emerge.